British duo GOLDFRAPP - composed of Alison and composer WILL GREGORY - write and perform their own music, and find it hard to comprehend why musicians like Madonna pinch parts of other people's ideas.
Alison says, "She's always got her eye on what everyone's doing and she's always nabbing people, the latest DJ or whatever, to get them to put their thing on her thing, you know.
"I think it's quite clever, but I don't know if that's creative."
Blasts her again:
Q: Have you ever heard Madonna’s ‘Like It Or Not’ from ‘Confessions on A Dancefloor’? It was her attempt at making a Goldfrapp record. ‘Black Cherry’ to be specific.
Alison Goldfrapp : ‘Never heard it, that song. I couldn’t care less what she or whoever does. Madonna is always copying other people’s work. yuck.’
Q: Well you guys are quite good at it yourself : ‘Ooh La La’ was a T-Rex rip-off. ‘Cologne Cerrone Houdini’ could have been any Gainsbourg song on ‘Historie de Melody Nelson’. And those are just two examples.
Alison Goldfrapp : ‘We have a perfectly legitimate post-modern explanation for that. Those songs are an Hommage! We steal like magpies but we pay tribute to our heroes at any chance we get, in interviews etc.. . Everyone should know by now that Marc Bolan was my idol growing up. But we’ll never be caught following the latest trend or collaborating with the hottest DJs and producers just to get their names on our record sleeves. That’s not our style.